One day a long, long, time ago in a town not so far, far, away, I was hanging out with my friend Shont and his sister Arpi. (Aside: These are real names, people. My buddy’s name is Shont and his sister’s name is Arpi. They are full-blooded Americans, born and raised in Los Angeles. I’m not making this up. If I were to make up strange non-American sounding names, they’d be called Neetork and Clutox.) Arpi’s friend Azure was also present. (Aside part deux: Azure. yet another uncommon name, but at least it’s an English word…derived from French. O brother. I mean, mon Dieu.)
Arpi and Azure were going on and on about the movie “Pretty Woman”: Ohhhhh it’s the best movie ever. Ohhhhh Richard Gere is so handsome in it. Ohhhhh Julia Roberts is so perky! Ohhhhhh it’s so cute how they fall in love. Ohhhhh I really identify with that movie. Ohhhhh where’s the boom box- let’s all sway to a New Kids on the Block song, because that “Pretty Woman” movie is so romantic.
Shont starts to shake his head in his characteristic quirky, opinionated manner, and blurts out: “OK, you guys. Let’s take a step back. Think about it. This movie is about a mean rich guy. Who falls in love with a hooker. Plain and simple.”
Shont is right. It’s a movie about a guy who falls in love with a hooker. Yet we all fondly remember it through nostalgia-tinted lenses as one of the best romantic comedies ever. The movie that made Julia Roberts the top actress in Hollywood.
Let’s consider another one. One of my personal favorites (“Pretty Woman” was not one of my personal favorites).
Once there was this director from Modesto, California. He had recently made a movie about teenagers in a small whitebread American town, cruising around on a weekend night. Starring Opie. Also in the cast were Shirley (Laverne’s best friend) and The Fugitive. (Six Degrees of Kevin Bacon in Reverse? Anyone?)
After the modest success of that movie, the director goes to the studio and tells them that, for his next movie, he wants to make a space opera. The studio execs show a puzzled look, and declare, “Why, that sounds intriguing, although we have no clue what a ‘space opera’ is, but we have to pretend we’re smart since we have corner offices. What is it about?”
“It’s an epic narrative set in outer space about a lost son who stumbles upon his destiny, a beautiful princess, and an old sage who guides them on their quest”, the filmmaker replies. “Oh! Why that sounds intriguing! As long as it comes within budget, of course,” say the execs.
In case you haven’t guessed by now, the director was George Lucas.
The movie, of course, was “Star Wars”.
Even without the benefit of hindsight, that one-sentence premise sounds great, doesn’t it? A classic myth with a science fiction backdrop. What’s not to like?
But just think about what happens next, after the money men begin digging into the script and the details. I can only imagine:
Encouraged by the positive initial reaction, the filmmaker continues: “Here’s my latest draft of the script. I’ll give you the highlights. It takes place in outer space. The main characters wear loose-fitting, flowing robes, as if a civilization with light-speed transport technology never bothered to invent a sewing machine. The princess wears a cinammon roll on each side of her head. She wanted to make a fashion statement but couldn’t find any white iPod earbuds. Everyone has a laser gun which shoots deadly energy-based projectiles thousands of feet, but the hero uses a laser sword, which shoots nothing and has a range of three feet. The hero and the princess are actually siblings by birth, but the pervey sage only reveals this to them after the princess slips her own brother the tongue.
“The villain wears a black samurai helmet on his head and has a 10-pound bionic lung strapped to his chest that looks like the Commodore 64′s great grandchild. He also dons a weird-looking mechanical facemask with big black Jackie O-style goggle lenses. When he talks, he sounds like a late-stage emphysema patient.

“There are two characters written in for comic relief. They are robots with human personalities. One is a neurotic, uptight nervous nelly. But male. The other robot is not in human form. He looks more like a white and blue suppository on wheels. He doesn’t speak English. He just utters a series of beeps and chirps, yet everyone in that universe can understand everything he says.
“One of the hero’s friends is a roguish character who is a space-faring pirate. He wears a white long-sleeved shirt underneath a black vest with a gun and holster strapped low on his thigh, as if he were the long lost seventh member of the Village People.
“And the space pirate’s sidekick is an 8-foot-tall dog that walks upright on two feet and shoots a laser crossbow. He wears no clothing, so the costumers will have to figure it out since I don’t want him hangin’ brain during a gunfight. Even though the walking dog speaks by uttering the exact same series of high-pitched grunts and growls, the space pirate can still carry on long, involved conversations with him. Because nnggghhhooooo nnggghhhooooo nngghoo ngghhooo means ‘Imperial Stormtroopers are on our ass’ as well as ‘I have shit on my fur’.”
Er, so far this thing sounds like the absurd result of a really bad LSD trip.
I once watched an interview with George Lucas. They asked him how he came up with the Chewbacca character. He said that he used to have a dog named Indiana (yes, he named Indiana Jones after his dog). Indiana (the dog, not Harrison Ford) used to sit upright in the front seat of his car while they drove around town, and Lucas thought it was funny that she sat there like a person, as if a dog were co-piloting the vehicle. So he worked it into the “Star Wars” script.
Thank goodness a movie studio gave Lucas the money to make Star Wars, preposterous as the premise and details may have sounded to many a movie exec.
If it hadn’t happened, I never would have known what a lightsaber is, let alone sign up for lightsaber fighting lessons. It’s important for a fully-grown man to know how to properly wield a functioning lightsaber. Otherwise he may accidentally slice his Star Wars action figure display case in half while pretending to be Darth Maul. In the privacy of his bedroom. Wearing nothing but tighty whiteys.
tags :: humor : Pretty Woman : Star Wars : George Lucas : Unexpected Success